vendredi 8 novembre 2013

CMA Awards 2013: The hottest red carpet looks


Musician Miranda Lambert attends the 47th annual CMA Awards at the Bridgestone Arena on Nov. 6, 2013, in Nashville, Tenn.
Musician Miranda Lambert attends the 47th annual CMA Awards at the Bridgestone Arena on Nov. 6, 2013, in Nashville, Tenn. 
The women of country music rocked the red carpet Wednesday night at the Styles ranged from prints and bright colors to sheer accents and even a cropped-top look.
40 PHOTOS

CMA Awards 2013 red carpet

Taylor Swift had one of the best looks of the night, donning a stunning embroidered Elie Saab red gown.
Wearing designer Naeem Khan, Jennifer Nettles walked the red carpet with a crystal and beaded number, while Kellie Pickler went for a sexy look in her Georges Chakra Couture strapless long black dress.
Co-host Carrie Underwood changed her look many times throughout the night, but her red carpet Ralph & Russo Couture gown definitely turned some heads. The dusky-pink long-sleeved sheer gown featured some floral and beaded embellishments.
Miranda Lambert, meanwhile, stepped out in a blue low-cut gown with beaded embellishments. Lambert's husband, Blake Shelton, apparently liked her look,tweeting Wednesday night: "My wife is so hot it's ridiculous..."
Tell us: Who was the best-dressed of the night?

jeudi 7 novembre 2013

CMA Awards 2013: Country singers rip ObamaCare website, 'Duck Dynasty' stars surprise with ‘Blurred Lines’ cover

 'Duck Dynasty' stars surprise with ‘Blurred Lines’ cover


Viewers who tuned in to watch the 47th Annual Country Music Association Awards, held Wednesday night in Nashville, might have confused the show with a roast of ObamaCare. Country music’s hottest stars had a bone to pick with the faulty Healthcare.gov website.
CMA Awards host Brad Paisley jokingly told his co-host Carrie Underwood that his back hurt and he needed to see a doctor. Underwood asked the singer if he had signed up for ObamaCare.
“ObamaCare, what’s that?” Paisley asked Underwood.
“Oh, it’s great!” Underwood quipped. “I started signing up last Thursday and I’m almost done!” The “Blown Away” singer proceeded to help her co-host sign up for ObamaCare and “join the six other people” who have reportedly signed up successfully for the healthcare service.
The routine had the Nashville audience clapping their hands to the tune of newly crowned entertainer of the year George Strait’s “Amarillo by Morning,” but with the words changed to “ObamaCare by morning/ Why’s this taking so long?/ I’m going to end up with hemorrhoids/If I sit here ’til dawn.”
The super star hosts also tried to settle the feud between Luke Bryan and Zac Brown who called Bryan’s new single “That’s My Kind of Night” the “worst song I’ve ever heard.” The two hugged it out while Carrie told them they had nothing to fight about. “You both made great records and you're both millionaires,” she sang to the tune of “Why Can’t We Be Friends.”
The CMA Award hosts did not stop there. Paisley thanked Swift not acting like her fellow pop star Miley Cyrus. He praised her for “not once humping a teddy bear or gyrating with beetle juice.” Underwood joked, “If someone in music today was going to be caught naked licking a hammer I think we'd all thought it'd be Blake Shelton.” The camera zoomed in on Shelton who nodded his head in agreement.
Next up was a surprise appearance by Willie and Jase Robertson of Duck Dynasty who were joined by their wives Missy and Korie to perform a redneckified version of Robin Thicke’s “Blurred Lines.”
While the Robertson clan twerked on stage, Underwood and Paisley switched up the words of Thicke’s song. “I'm going to grow a beard and go out hunting… 'Duck Dynasty' guys dance to Robin Thicke/We tried to get nasty talking 'Duck Dynasty.'”
The Robertson’s weren’t just onstage to show off their lack of dancing skills; they also gave out the first award of the night to duo Florida Georgia Line for single of the year for their hit song “Cruise.”
The country twosome shot to stardom this year after touring with both Luke Bryan and Taylor Swift on their respective tours. The pair also won vocal duo of the year and opened the show with Luke Bryan singing a medley of Bryan’s “That’s My Kind of Night” and their own “Cruise.” The two wins solidified the hip-hop country sound making its way into mainstream country music.
Perhaps the single of the year win will finally put “Cruise” to rest. The duo released the song in August of 2012.
Jason Aldean performed next followed by Kacey Musgraves and Lady Antebellum. Both Aldean and Lady Antebellum surprisingly went home with no awards for the second year in a row. 
Musgraves didn’t walk away empty handed as she won the title of new artist of the year. However, the “Follow Your Arrow” singer displayed a face of disappointment as Miranda Lambert beat her out to win female vocalist of the year for the fourth time in a row.
Lambert’s hubby and fellow country singer Blake Shelton scored album of the year and male vocalist of the year.
Vocal group of the year was awarded to Little Big Town and beating out The Band Perry, who were inexplicably ignored yet again. The band of siblings won big at the 2011 CMA Awards but have yet to win any awards since.
Taylor Swift took home the pinnacle award given to those who take country music to a worldwide audience, though her “Red” album doesn’t have one bit of country twang to it. 
Somber moments at the awards included a tribute to the late George Jones as well as an unusually serious Luke Bryan who sang his song “Drink a Beer” in memory of his brother and sister.
The highest honor of CMA entertainer of the year was given to veteran country singer Strait who announced his final tour this year. We tip our hats to the “King of Country.”


mercredi 6 novembre 2013

Eminem makes some strange NFL references on new album

(Getty Images)
(Getty Images)
On Tuesday, Eminem released his newest album, The Marshall Mathers LP 2. It’s vintage Eminem, featuring magnificent wordplay, deft rapping, lyrics that are both juvenile and violent, and cultural references that make it seem like he just emerged from a frozen state, a la Austin Powers, which, come to think of it, is one of the few outdated references Eminem didn’t make on the album. The rap superstar also drops a few NFL names on the album. For The Win breaks them down.
1. Russell Wilson
On The Monster, currently the No. 1 song on iTunes, Em makes one of his few timely references on the album with a shout-out to the Seattle Seahawks second-year quarterback.
It’s payback, Russell Wilson falling way back
in the draft, turn nothing into something, still can make that
straw in the gold, chump, I will spin
Rumpletstiltskin in the haystack.
That’s a line that could have been written by any major rapper today. Take an undervalued player, compare the chip on your shoulder to the chip on his shoulder and, voila. As for Russell Wilson, he’s been name-dropped by one of the biggest rappers on the planet and gets love from fans of one of the biggest touring bands on the planet. Your move, RG3.
(USA TODAY Sports Images)
(USA TODAY Sports Images)
2. Brian Dawkins, the 2008 Detroit Lions, various NFL teams whose name have the proper accents and syllables to fit into this specific bar, the Body Bag game, Brian Baldinger
This one’s a little more strange. Okay, a lot more strange. It starts off normally — the Detroit-born rapper talking about how he’ll dominate like a great defensive player against the only winless team in the 16-game era. He identifies himself as Brian Dawkins, because Ronnie Lott, Mike Singletary and Reggie White don’t rhyme with “offense” and “Dolphins.” And then it gets weird.
Me against the world so what? I’m Brian Dawkins
Versus the whole 0 and 16 Lions offense
So bring on the Giants, Falcons and Miami Dolphins
It’s the body bag game [expletive] I’m supplying coffins
Cause you [expletives], a bunch of Brian Baldingers.
The body-bag game is a great reference for rappers. It’s evocative and can lead in any number of directions. Brian Baldinger? The man who had a fine, if nondescript, NFL career, then a fine, if nondescript, career in the Fox booth before moving to radio? The man who’s probably most remembered nationwide for his weird-looking pinky? That’s just weird.
brian-baldinger-finger1

On one hand, you have Eminem the virtuoso hip-hop lyricist, rhyming the name of a Hall of Fame safety with “offense,” “Dolphins” and “coffins.” On the other, you have him making what appears to be a juvenile joke about a former NFL guard and TV analyst. It’s Eminem’s gift and curse.
Then again, he also makes references to Lorena Bobbitt, the film Forgetting Sarah Marshall (twice!), Casey Anthony, Jessica Simpson and the Backstreet Boys. Maybe it’s best not to read too much into the rapper’s pop culture touchstones.

Remembering Chef Charlie Trotter, Dead At 54, And My Best. Meal. Ever.

I’ve eaten about 50,000 meals in my life, give or take a few. I remember the very best one. It was at Charlie Trotter’s in Chicago. That restaurant, considered among the very best in America during its 25-year-run, closed last year. The chef and owner, Charlie Trotter, died yesterday at age 54.

According to those who worked for him and with him, Trotter was evidently demanding, and sometimes downright rude. He made a cameo appearance inMy Best Friend’s Wedding as the archetypal psychotic chef.
But what made it into the dining room, and onto a series of 11-plates that summer evening a decade ago, was food that was at once dead serious and utterly whimsical. After we sat down, the maitre’d consulted with us on the tasting menu as if we were making an investment. And I guess we were. When I expressed reservations about a whitefish course, she immediately offered an alternative? “Quail with black truffle?” This was my kind of place.
It seemed somehow appropriate that we began the evening with a snack at one of my other favorite places to eat–Harold’s Chicken Shack in Hyde Park. That’s where I–and reportedly Barack Obama–would slip a few bucks under the bulletproof glass turnstile in exchange for a few pieces of singularly perfect pieces of fried chicken. It was serious food and, surroundings aside, the kind of amuse boucheof which Chef Trotter would  undoubtedly have approved.
Back at Trotter’s, each course, with its wine accompaniment, was flawless in a perfect-ingredients-prepared-perfectly kind of way, but there was more than that at work. Before one of the middle courses, the waiter brought out almost comically huge red wine glasses and poured a lovely pinot noir. And then put down a piece of yellowfin tuna that paired perfectly with that red wine, while breaking all of the supposed “rules.” A palate cleansing course offered up a prosecco and a sorbet with chili oil that paired so perfectly you couldn’t tell where the eating stopped and the drinking began.  A great meal engages your senses. A Best. Meal. Ever engages your mind and your heart as well.

We were seated next to two older couples who chattered and nattered endlessly about their trip to Kenya and other inanities, largely ignoring the exquisite food. At another time, they could have been an annoyance or even ruined an expensive evening. But everything else was so perfect that it didn’t matter. Before the dessert course, the maitre ‘d stood by their table and announced, with great ceremony, and a wink in our direction,  ”And now..a moment of silence.” We almost fell out of our chairs laughing.
The final course was as ballsy as it comes: flourless chocolate cake. Even then a cliche, the Trotter’s pastry chefs took up the challenge of doing CPR on the deadest dessert possible and threw down like Michael Jordan on the break. In yo face, TGIFridays.
We took a tour of the kitchen, so tight we’d watch as tangle of limbs would scramble over a dozen plates and after a few tightly choreographed moves a dozen appetizers would appear as if by magic. We paid the check–almost eight hundred  dollars,as I recall. And when I talked about the meal afterwards, as I have on dozens of occasions over the years, that subject would always come up, and even my friend who wears $5,000 watches would have sticker shock.
I always came back to the math. How many meals have you eaten in your life? What’s the best one ever? Is it worth 20 trips to TGIFridays?
I was sad when I heard that the restaurant was closing and we’d never get the chance to re-create that meal in that space. But I always expected that Charlie Trotter the Guy would open another place where you could have a Best. Meal. Ever, and one day my wife and I would try to do just that. When I heard the news and realized that’s never going to happen, I’m so far beyond just sad.
RIP Charlie Trotter.

Democrat McAuliffe narrowly wins Virginia governor's race


(Reuters) - Democratic Party insider Terry McAuliffe won the Virginia governor's race on Tuesday by narrowly beating Republican Ken Cuccinelli, a Tea Party favorite who seized on the rocky launch of the U.S. healthcare program to try to keep the contest close.
State election board results showed McAuliffe, a Democratic fundraiser and close friend of former President Bill Clinton, had 48 percent of the vote to 45 percent for Cuccinelli, Virginia's attorney general, with almost all precincts reporting.
McAuliffe squeaked to a win in the Southern state with a strong showing from wealthy, liberal-leaning Washington suburbs. His victory cemented Virginia as a battleground state for both parties ahead of midterm congressional elections next year and the presidential election in 2016.
McAuliffe, who had never held elected office, told cheering supporters in Tysons Corner, a Washington suburb, that the race had never been simply choosing between Democrats and Republicans.
"It was a choice between whether Virginia would continue the mainstream bipartisan tradition that has served us so well over the last decade," he said, his voice hoarse.
Record amounts of outside money flowed into the campaign as McAuliffe heavily outspent Cuccinelli and national Democratic figures attempted to make the vote a referendum on the Tea Party, a small-government wing of the Republican Party.
Trailing in polls, Cuccinelli, 45, attacked President Barack Obama's signature healthcare program, which has been plagued with technical difficulties since its October 1 launch, and narrowed McAuliffe's lead. McAuliffe supports the law known as Obamacare.
A CNN exit poll showed that 53 percent of Virginia voters opposed Obamacare, including four in five of those casting ballots for Cuccinelli.
In his concession speech, Cuccinelli said of the healthcare plan, "We were lied to by our own government in an effort to restrict our liberties."
McAuliffe, 56, tied Cuccinelli to last month's federal government shutdown, blamed by most Americans on Republicans and especially the Tea Party. Virginia was hit hard by the shutdown since it relies more than most states on federal paychecks and contracts.
Cuccinelli also was hurt by a scandal involving Virginia's Republican governor, Bob McDonnell, who is under investigation for taking gifts from a businessman. Cuccinelli apologized in September for taking gifts from the same businessman.
Under state law, McDonnell could not run for a second consecutive term.
HEADWINDS
"All the things that could go wrong for the Republicans did go wrong. What was striking was how close it was with all the headwinds the Republicans had," said Stephen Farnsworth, a pollster and political analyst at the University of Mary Washington in Fredericksburg.
Libertarian Robert Sarvis got 7 percent of the vote, the best showing by a third-party candidate in the state since 1965.
McAuliffe, who has said he has 18,632 names on his Rolodex, raised about $34 million to Cuccinelli's $20 million, according to the money-tracking Virginia Public Access Project.
McAuliffe outspent Cuccinelli 10-to-1 on television advertising in the final weeks of the campaign, the Access Project said.
Underscoring the national interest in the race, about 70 percent of the money raised came from outside the state. That is by far the highest percentage ever for any U.S. gubernatorial race, according to the nonpartisan National Institute on Money in State Politics, in Helena, Montana.
In the race for lieutenant governor, Democrat Ralph Northam, a 54-year-old state senator from Norfolk, easily defeated Republican E.W. Jackson, a 61-year-old minister from Chesapeake.
Conservative Republican state Senator Mark Obenshain beat Democratic state Senator Mark Herring for attorney general.

(Reporting by Gary Robertson; Additional reporting by Ian Simpson in Washington; Editing by Scott Malone, Eric Beech and Mohammad Zargham)

mardi 5 novembre 2013

Call of Duty Ghosts

The first few minutes of Call of Duty: Ghosts don't paint a terribly accurate portrait of what lies ahead. You barely have time to take stock of the idyllic Southern California setting before fire begins raining down from the heavens, destroying every car and home in sight as a shouty man commands you to follow him to safety. But whereas Infinity Ward's recent work on the Modern Warfare series was weighed down by bewildering plot twists and an affinity for restricting its most exciting moments to noninteractive set dressing, Ghosts tells a lean, straightforward story that throws you into plenty of spectacular situations, but with more breathing room to appreciate the action. Along with the outstanding new Extinction co-op mode and an abundance of clever refinements to competitive multiplayer, Call of Duty: Ghosts is a refreshing and thoroughly satisfying entry in the blockbuster shooter franchise.
Much of Ghosts' success stems from its own sense of humility. Infinity Ward has done a great job reining in the excesses of previous Call of Duty campaigns, replacing the crumbling Eiffel Tower and runaway Tube trains of Modern Warfare 3 with a less heavy-handed approach that employs spectacle--and there's no shortage of that here--as more of a complement to its core combat. It's a game that avoids falling in love with its own cinematic ambitions, allowing the ruthless combat and well-paced encounters to take center stage over the plot.
It's a good thing, too, because the story is every bit a predictable tribute to American military might. After the collapse of the Middle Eastern oil economy, South America's oil-producing states join together to form an economic and military superpower known as the Federation. Naturally, the Federation decides to hijack a satellite weapon system and turn it against the United States. The conflict that follows is one centered on the Ghosts, an enigmatic tier one task force with a penchant for lethal efficiency and sweet skeleton masks.

Ghosts is full of atmospheric touches, like bubbles discharging from your gun when fired underwater.

The whole thing feels like a geopolitical Mad Lib, but a functional and rather harmless one. Ghosts deliversjust enough narrative to serve as a catalyst for its whirlwind tour through global warzones, while resisting the urge to club you over the head with plot twists and gratuitous shock-and-awe moments. In many ways, Infinity Ward has crafted a story that reflects the stoic nature of the Ghosts themselves: focused, efficient, and committed to the task at hand.
The approach pays off: Ghosts features a terrific collection of shootouts and set pieces, largely unburdened by the sensation that you're merely an extra in someone else's adventure. At various points you go after a missile launch center by tank and an offshore industrial facility by helicopter, each serving as excellent examples of how well Call of Duty's zippy and responsive controls can be applied toward massive, fully navigable battlefields. It's also a game with a knack for crafting tense shootouts in unexpected locales, highlighted by a brief jaunt into outer space that has you floating from one piece of debris to the next, aiming the shots that will make a Federation soldier's helmet decompress in a gruesome hiss.
These bombastic set pieces are complemented by more subdued moments, like a deep-sea scuba mission that has you swimming through gorgeous reef formations while avoiding enemies both shark and human. Then there are the more tightly scripted scenes, like prowling through a dense jungle while using a motion tracker to spot enemies, or rappelling down the side of a Caracas skyscraper as you quietly snipe soldiers patrolling its interior. Moments like these further the game's excellent pacing, serving as welcome palette cleansers after some of the more spacious and chaotic battles.
Tank controls are unapologetically agile in Ghosts.
It all adds up to a campaign that follows the familiar rhythms of the series, but in a more varied and generous way. There's a real willingness to let you stretch your legs and soak up the spectacle, driven by the feeling that--for the most part--you're the one at the center of the action.
There are some missteps. Using your pet dog to take out enemies serves as an entertaining staple of the game's early missions, but this gameplay mechanic completely disappears for the latter half of the campaign. Your AI squad mates still have a habit of occasionally running in front of your gunfire as thought you don't exist, and a few levels follow the bland corridor template a little too closely. But those issues aside, this is an impressive campaign that uses the series' winning formula as more of a roadmap than a shackle.
Ghosts is even more impressive on the next-gen hardware of the PlayStation 4. While the current-gen versions are just as competent as ever, rendering the chaotic shootouts at a smooth 60 frames per second, the PS4's next-gen artistry creates a much more immersive battleground. Those effects are most noticeable in the levels that emphasize lighting: the soft bokeh effects of floating embers on a burning oil refinery, or the way moonlight refracts and ripples while underwater. It's essentially the difference between a PC game running on high versus low settings. Each version is functionally the same, but all those extra effects add up to a more engrossing experience. (Note: Our review of the Xbox One version remains under embargo until a later date.Activision did not provide access to the PC and Wii U versions.)
This is an impressive campaign that uses the series' winning formula as more of a roadmap than a shackle.
If Ghosts' story campaign is an example of its developers leaving Modern Warfare behind, its approach to co-op takes that trend one step further. Gone are the Spec Ops missions from Infinity Ward's previous work, replaced by a new co-op campaign dubbed Extinction. Much like Zombies in the Black Ops games, Extinction presents a playful alternate reality where you and up to three friends are dropped into a battle against fantastical enemies. But instead of shambling zombies, you're fighting a swarm of buglike aliens. The way these enemies scurry up the sides of buildings and burst forth from underground hives changes the dynamic in a monumental way: you're still employing Call of Duty's signature shooting mechanics, but you're doing so against an enemy whose animalistic movement makes it much more imposing and unpredictable than your average foot soldier.
Extinction's various progression systems make for a steep learning curve, but boy is it fun.

Extinction is an ambitious hybrid of tower defense,Left 4 Dead, and Borderlands. You're drilling into alien hives as you move through the backwoods and small-town streets of rural America, each drill site its own standoff against swarms of incoming enemies who grow larger and nastier as the campaign progresses. There's a class system that allows you to play complementary roles, an in-game skill tree that lets you beef up your character on the fly, and a scavenging system where taking the time to rummage through a dumpster might reward you with a new weapon sight. There's also an economy that encourages fun twists on teamwork, like the ability to pool your money together to unlock a helicopter strike when things get really tough.
None of these ideas are remarkable on their own, but the way Extinction blends them with Call of Duty's fast-paced action is tremendous fun. Throwing a hypno knife at an acid-flinging scorpion to turn it into a friendly, debating whether to buy a turret gun for yourself or a crate of incendiary ammo for your team--Extinction is full of all these little moments and decisions that add up to a stellar co-op experience. This is Call of Duty venturing as far outside its comfort zone as it ever has, but the payoff is immense.
A more familiar experience can be found in Ghosts' competitive multiplayer. The frantic pacing and close-quarters encounters are every bit as enjoyable as they've ever been, augmented by contextual lean and running slide abilities that make for more fluid transitions in and out of cover. Infinity Ward has taken a delicate approach to the existing multiplayer progression, though a new perk weighting system promotes better player balance while still giving you plenty of ways to micromanage your loadouts.
One of the features that Ghosts introduces to multiplayer is a character customization system that takes those abstract player levels and wraps a greater sense of ownership around them. You can now create a roster of personalized soldiers, each decked out in a wardrobe full of custom armor and equipment. Facial designs, skin color, and gender are all options you can use to craft your own characters, and then you take those creations one step further by leveling them all up independently of one another. For a series that has long given you such granular control over your weapons and abilities, it's nice to finally be able to apply that same level of personalization to the characters themselves.
Multiplayer maps have you fighting everywhere from Scottish castles to Alaskan fishing villages.

That customization system is what drives the new Squads mode, a feature that pushes Call of Duty eerily close to the realm of management sim. Squads is where you take your custom characters and turn them into a full-blown team of AI soldiers, leading your creations in competitive matches against teams designed by your friends--even if those friends happen to be offline. It essentially spreads the rewards of repeated prestiging out across different soldiers, giving dedicated players a new kind of progression for the countless hours they will spend leveling up. Squads is clearly a feature designed for the most hardcore Call of Duty players, but it's also a testament to just how deep the well of competitive experiences has become.
Yet Squads is hardly the only addition to Call of Duty's competitive landscape. Ghosts introduces a number of clever multiplayer modes that keep a keen eye on the series' strengths while taking a playful approach to how you can interact with one another. Blitz is like a twist on American football: players dash toward scoring zones on the other team's side of the map, warping right back to safety if they're successful and becoming sitting ducks if they fail to properly judge the scoring cooldown timer. Hunted takes a Hunger Games approach to multiplayer design, giving players one handgun and 10 bullets to start and forcing them to fight over randomized weapon drops that fall from the sky. And then there's Grind, an evolution of Kill Confirmed that makes players take the dog tags dropped by fallen enemies and run them back to a handful of specific locations in order to bank points. Each of these game modes adds a devilish new wrinkle to the multiplayer experience, taking an already exceptional collection of competitive options and expanding them further.
From an exuberant campaign full of spectacle and variety to the way Extinction's unpredictable aliens force you to use those targeting skills in entirely new ways, Ghosts strikes an excellent balance between the familiar and the novel. This is a game that's keenly aware of the series' strengths, but doesn't find itself beholden to them. No matter what standard you apply, Call of Duty: Ghosts is a terrific first-person shooter.


Emily Wickersham Promoted To 'NCIS' Series Regular As Ellie Bishop

Emily Wickersham is set to join the cast of NCIS full time, CBS announced yesterday (4th November).

Emily Wickersham has been promoted to a series regular on NCIS.
The actress, who has appeared in such films as I am Number Four and Remember Me, originally filmed three episodes for NCIS. However her character, NSA analyst Eleanor "Ellie" Bishop, has been promoted to a series regular. The show's team were already excited to be working with the actress, as Michael Weatherly (who plays Antony DiNozzo) told Entertainment Weekly: "We're excited about is having Emily join us on these little adventures we do every week and seeing how she is in the world that we create together. I hope the audience likes her as much as we did right away."
The show's team and producers were highly complementary of Wickersham. Executive producer Gary Glasberg said in a statement: "Emily Wickersham's Ellie Bishop is proving to perfectly compliment the NCIS team. Her energy and enthusiasm is contagious.  Great things are planned for Bishop and we couldn't be more thrilled to have her on-board.

Wickersham will star opposite Mark Harmon on NCIS.

The former The Sopranos actress was cast as Bishop in September after Cote de Pablo, who played Ziva, left the show. Wickersham's character in NCIS has been described as "a mysterious mixture of analytic brilliance, fierce determination and idealism."
The first of the three episodes Wickersham was intended to originally appear in will begin airing on November 19th. According to Entertainment Weekly, Wickersham's character will be introduced when the NCIS team discover the Secretary of the Navy was bugged during a closed meeting. Bishop had previously warned of such a security breach and is brought on board to help discover who was behind the crime.
NCIS follows a team of security experts as they solve crimes within the US naval forces in their jurisdiction. The show, originally set in Washington, spawned a spin-off series set in Los Angeles. A third series, NCIS: New Orleans, may air next Spring, if CBS give it the go ahead. Mark Harmon and Michael Weatherley star in NCIS; whilst Chris O'Donnell and LL Cool J aka Sam Hanna stars in NCIS: Los Angeles.

Wickersham's first NCIS episode will air on November 19th.

lundi 4 novembre 2013

Veterans Day parade again to be early, on Friday

The date is as much a part of the tradition as the high-school bands and the floats: The annual Columbus Veterans Day parade is not on Veterans Day.
Every year, Veterans Day is Nov. 11. And every year, it’s observed as a state and federal holiday, which means that Downtown is pretty empty.
This year, Nov. 11 is next Monday. So, to ensure that lots of people are around to cheer on the marchers, the parade will be held on Friday, said Rick Isbell, president of the Military Veterans Education Foundation.
The foundation organizes the parade — a few days before the holiday — every year.

This year’s event honors two groups. The first, about 2,000 members of the Ohio Army National Guard’s 37th Infantry Brigade Combat Team, returned from a deployment to Afghanistan and nearby areas late last year. Isbell said 250 or more of the soldiers will march in the parade.

Also honored will be Korean War veterans. The 60th anniversary of the armistice ending the conflict was on July 27.
The Korean War is called “the forgotten war,” Isbell said. “They really don’t get their due. They are some amazing people.”
Friday’s events will begin at 10:30 a.m., with a ceremony in the city council chamber on the second floor of City Hall, 90 W. Broad St. Warren Motts, the founder of Motts Military Museum in Groveport, will speak.
Meanwhile, parade participants will gather on Nationwide Boulevard west of High Street. The parade will start at noon and proceed south on High Street, then west on Broad Street, ending at Franklin County Veterans Memorial.
The parade usually lasts about 90 minutes. Nationwide Boulevard will close at 10 a.m. The other roads will be closed as the parade passes.
Near the end, the Marines of Columbus-based Lima Company, 3rd Battalion, 25th Marine Regiment will collect items for their Toys for Tots program. The items will go to needy children for Christmas.